On 17 South, near the exit for the Garden
State Plaza. Up ahead there is a cop car
light flashing. It would appear that he
has something to do with the delay. Or
maybe its just rush hour. The jam
extends up beyond him. Taking stock of
the leaves that are left. I was
suggesting to myself the last time I was returning back to China that I might
come back in October to full fall colors. This time, my return will be mid-November and
the trees will certainly be denuded.
Passing that cop
now. Someone is having their car
towed. It would appear to have broken
down. The clogged traffic extends
though, way out beyond this point, here. I am imaging the accent of the Paramus tow truck
driver who is enormous, standing there, arms akimbo. Skies are blue this morning. It rained all day yesterday and I never got
out to exercise.
I’ve been pretty
lucky the other times I’ve come down this way but this morning here at Fairview
Avenue, the view is not fair at all, plodding along through Paramus. Our Trailways bus driver seems to be
distracted. More than a few times now he
has been slow to react to the traffic when it moves. People keep cutting in front us. Sitting here in front of the bus I marvel at
how challenging it must be to steer this thing effectively. And at how far the bathroom all the way in the
back is, as well.
Manhattan. It’s a fine destination when it is your destination. But I’m only going there this morning, under
the Holland Tunnel, to the unfortunate hub that is Port Authority, so I can
step out and get on another bus to back under the Holland Tunnel and travel
back to New Jersey. I forego the pleasures of the Port Authority men’s
room and head straight over to that Newark Airport shuttle, when we arrive sixty
minutes later than we should have. The lady on the bus collects the tickets
slowly. The driver takes twelve minutes
to cross two blocks. I do my best to ignore
the need to fret about time and dive into my book.
Later, somewhere over
the Arctic, I finished Hermann Broch’s “Death of Virgil” in a straight shot from
the bus till now. I seemed to warm to it
as I went further and further in. The
dialogue with Octavian was epic and the final reunion with eternity at the end
reminded me of Robert Musil with its expansive poesy that challenges the
boundaries of sanity. The slave who stares and is meek and who becomes the
Christ figure annoyed me at first, when I discerned who it was. I had the dull feeling that I had somehow
figured things out. But I continued
along, and watch Broch allow Virgil a confrontation with Christianity that was
rather different from the one that Dante had afforded him.
Monday, 10/28/19
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