Fire, or at least
flames, seems to operate in the opposite fashion to gravity. The flames run like water, pouring over,
“licking” the wood, pulled by another, higher power, off into the air, until
they disappear. The wood, the coals,
fall of course, with a crack and thud, down into the pile of glowing embers,
like any other object. But the flames
pour upward, reaching from below up to the highest point flammable and,
fuelled, run onwards. Heat rises. Flames rise.
Something else, some substance, must be falling in precisely equal
measure to what’s heading upward. Flames
only appear to have substance. They are
the traces of substance disappearing.
I’m sitting in front of a fire and I notice that it is
rarely “just right.” It’s burning away
now but I’m inclined to make it hotter, brighter. There’s a wicker basket in front of the fire,
and I’m conscious of containing what I build.
It’s a temporal experiment is controlled destruction; where as a fish
tank, say, is a controlled experiment in preservation. You can go stare closely at a fish tank and
it will be entertaining. A fire is as
well, but if you don’t feed it, much more regularly than one might sprinkle
fish flakes, it will burn itself out.
You’ll excuse me. I need to put
more wood on.
My musical appetite is also a commanding furnace. Technology keeps opening new means of
consuming ever more music. But the
medium is regularly interrupted. I still
have LPs, I still have CDs, I still have mp3s but we move on from the means to
play such things, when online music is ubiquitous. And when veritable ubiquity is interrupted,
as mine was during the recent Rdio acquisition, you can limp along for weeks
with out new fuel, and “old” music, no matter how vast the library, feels
limiting.
Last night I used my VPN to land in Colorado so I could meet
the US requirements to sign up for Spotify.
I’d tried before but was generally sent to their Swedish site due to
local licensing law. I reviewed a number
of alternatives, but none had the jazz collection of Rdio. Spotify seems to. I haven’t figured out how to download albums
to my phone but apparently its doable.
The main bummer is the “share” button.
Rather than helping me to find out who else is using the software, I am
prompted to sign in to Facebook. I don’t
have a Facebook account. I don’t want a
Facebook account. No other
choices? If your union with the behemoth is that
singular, why don’t they just buy you?
This will probably be next.
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