William Gass has me
muddling about in his home. For some
time now, I’ve been considering the professor’s toaster, his tooth brushing
habits and his obsession with Hitler. He
has older man pains and older man indignities and older man memories that are
all a bit too familiar. And this is his
purpose, with “The Underground”, I’m unwittingly drawn into this intensely
personal world he’s trying to burrow an escape from.
Like his professor I work from home, largely. I have puttering little routines and note the
way memory cuts into his present and leaves dents in his mind, not unlike they
way memories can interrupt my little progressions as well. I don’t want to be in his house, any more
than I want to return to the discourse on the Third Reich. Appropriately I read this mostly, in the
bathroom, where I don’t want to be for very long either. It is his sharpened turn of phrase that makes
the gloomy places worth exploring and the gloomy professor, someone you reluctantly
want to learn ever more about.
I brought my book to the High School, welcome-back night
last evening. I didn’t make any
progress on it, but I had it just in case.
Instead we had quite a bit of ground to cover, going from the
auditorium, to the gym, to chemistry class, approximating our daughter’s schedule
and battery of classes. I didn’t have
much of anything to say when the topics in math were explained. In Social Studies I tried the best I could to
limit myself to one or two points of inquiry.
Most importantly “what is the geographic focus of this look at the world
from 1750 to 1900?” I don’t think there
is much point in telling the tale of industrialization to high school students,
unless you cover where it was that this process started.
In English they are going the read Yeats. This got me excited. Looking around the room, I mastered the urge
to ask “Which Yeats?!” I imagined the collection of Yeats poetry that should be
sitting on my shelf at home. The same
book I took to Ireland when I was twenty and was reading when I sat in a pub
somewhere on the island of Valentia near Kerry and a local fisherman named Aeo
saw my book and told me: “Yeats was a fucking faggot. You wanna read a writer
with real balls, read Flan O’Brian. He
was writing about tripping before there was acid.” And I didn’t bother to tell all this to my
daughter when I got home, but I found my book and I suggested it was important
to me and that she, with a sense of what an Irish accent sounded like should
read the poems with that voice in her head.
She nodded dutifully and suggested she was very tired and wanted to head
to bed. I wouldn’t have been
particularly interested in Yeats when I was fifteen either.
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