I have taken my kids
to Europe a few times. I always try to
explain the middle ages. The Roman
Empire is easier to explain. The
Industrial Revolution is easier to explain.
You can stand in the Uffizi Gallery and illustrate the Renaissance: “Here is a Giotto. See how the halos are flat? See how the people are stacked on top of each
other?” And turn and walk into the next
room and say” OK. Look at this Leonardo,
“The Assumption.” The painting has
depth. The Medieval painters couldn’t do
this. Suddenly they’d deciphered this
and with a flourish, consumed and constructed with the learnings of Rome, the
learnings of the Arab world.
The Middle Ages are more opaque but singularly worth trying
to understand. They are centuries of
soil turning that allow Europe to oddly unite civizationally under Roman Christianity,
while remaining fractured and politically competitive. This, the fulcrum
perhaps, of its incandescent, cancerous momentum, to ‘save’ consume and organize
all.
Is there a better film about the Middle Ages than “The
Seventh Seal?” I walled off work on
Saturday. “and, stay out!” And tried to play ‘Settlers of Catan’ with
the younger one and watch a movie with the older one. We’d been on a black and white movies kick
and I tossed out a few for her to consider but my artifice was
transparent. I really only wanted to
watch one of them. And after dinner,
(which is risky for me, but I managed.) we set out to see Sweden in 1348 or
so.
Quickly, my daughter recognized the Monty Python and Woody
Allen as films she’d seen that had borrowed from the Bergman classic: the
burning of the witch, the personification of the Grim Reaper. The characters are not so far from
ourselves. The comedic troupe leader and
his visions, the naivety of the cuckolded blacksmith. Max von Sydow’s remarkable struggle with
meaning and his Odyssey-like quest to return to Penelope before he dies.
If death were one out of three people. If death were plague-like and inexplicable
and cruel. If disease were able to take out
every third person you knew: Those who
remained would most certainly have a different relationship with death. Death personified? Indeed.
You can find him in the eye if you look close enough. The Moyen
Age only had so much to lose with the onslaught of disease. And productivity returned after a
revolutionary epoch in to two generations.
But would that be true today? If
there were a plague like that; the political institutions we know, the nation
states we know would be unlikely to survive as currently understood. Expedient, demagogic, solutions that promise
stability after so much misery would be all but necessary. The assumptions have so much to do with who
controls innovation and technical capacity to spring back. And the step back in
time might be hundreds of crucial years, or perhaps much longer. How long would it take to restore the arc of
science to what we’ve currently accumulated, codified? Something raw and crass would no doubt fill
the time we lived without, beneath the shadow of the past.
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