Sunday, November 10, 2013

Feedback. Blender Ahead




Burning with envy is a fatuous waste of time.  Being content with what you have is a rather elusive ideal.  Envy is easier to manage, when you know the direction it is flowing.  But I see a whirlpool, a blender sputtering on pause, up ahead.

The Seven Deadly Starbucks (7DS) manuscript looks at each of the seven deadly sins in a different Starbucks in North Asia.  The one I chose for envy is my local Starbucks, here in Shunyi, in the Beijing suburbs.  The happy little establishment that’s over in what’s known locally as “Pinnacle Plaza.”  Within, I try to suggest, the way envy flows in China has shifted, significantly, in the years since I first arrived here, twenty years ago.  The way Chinese view foreigners, the way foreigners view Chinese, and the way Chinese view each other, all of this has been shaken up and people aren’t sure quite where they stand anymore.  Directions notwithstanding the gut feeling, the 垂涎欲滴[1] is certainly waxing pungent.

At the beginning of the chapter I quoted the band Void from their song: “No More Authority.” 

One day I’ll be old
And then I’ll have authority.
And I’ll wish I was young
And then I’ll have envy. 

Unless you were into American Hardcore Punk around 1981 or so, it’s unlikely that you have ever heard of these four exceptional contemporaries from Columbia Maryland.  Void had three extraordinary songs on the seminal “Flex Your Head” compilation of Washington D. C. area punk from that time of which “No More Authority” is one.  Other than the Minor Threat and the State of Alert, (with Henry Rollins of Black Flag fame, on vocals) songs, it is these Void tunes that clearly stand out listening thirty-two years later.  The band later released an album, which they shared with another Dischord Label band Faith that is ferocious and captivating from start to finish.  http://en.wikipedia.org/wiki/Void_(band)



What did Void sound like?  Every morning I throw a bunch of fruit and a cucumber in the blender to make a smoothie.  There is a high pitched whirling sound that is uncompromisably aggressive and confident, daring you to get your hand anywhere near the source.   Void was a bit like staring down a blender.

The rhythm section, bassist Chris Stover, and drummer Sean Finnegan were tight and determined like a subway heading off the tracks.  John Weifenbach’s vocals and facial expressions firmly nail a piece of what all of us who were frustrated by the radio, frustrated by school, frustrated by the Regan era felt, alone down there in our basements.  But it is Jon Bubba Dupree’s guitar work, his Hendrixed-out hooks, bends and remarkable use of feedback that anoints Void as something utterly distinct from that time.  I recently picked up a collection of their earlier unreleased material that is spirited, but is interestingly devoid of much feedback and the sound is less distinct. 

I never got to see Void.  I missed the one show they played at CBGBs in New York.  My dear friend attended and his depiction of it is legend.  He said they came out, launched right in to the anthemic, “Who Are You?” The stage was mobbed, people began diving, Jeff Weifenbach leapt off an amp into the crowd and then the band one by one, stopped.  A few minutes later someone was heard to yell into the mic: “Fuck!”  And it became clear that the vocalist had broken his leg.  An article I found that “verifies” my friend’s memory was accurate and claims that the band were all on acid for shows like these, which I hadn’t known, but makes perfect sense.
http://www.cvltnation.com/flesh-on-barbed-wire-void/ Three-hours and four bands later, Weifenbach apparently returned from the hospital, with a cast demanding to be allowed to finish the set.

Earlier I’d referenced my fascination at that time with the anarcho-pacificst band, Crass who’d called for a purist’s like consistency against “the system.”  And with hits like “Condensed Flesh” Void had little to offer in terms of political critique, other than raw dissatisfaction.  But capturing that dissatisfaction squarely was something we all tried to do, and very few achieved in a way that still sounds distinct. 

Void broke up after only three years of playing.  Sounds like most of the guys wanted to go to college, their musical tastes began to diverge not unlike mine did at exactly the same time.  Drummer Sean Finnegan died of a heart attack, working on his house on the Maryland shore in 2008 at the age of 43, escaping perhaps the aged life of envy, they’d warned about.

When I was a teen I was searching for distinct articulations of what I felt.  Void and the remarkable off-the-grid hardcore movement of the time appeared as though it were the first, real, underground, non commercial music movement ever, and what we were doing had never been done.  And it was, but merely another chapter in the glorious current of underground expressions that have always worked within American musical history.  To be in it as it happened, was to be one. 

As I look back I certainly didn’t envy anywhere else in the world.  I liked the way it sounded when you swore with a Cockney accent, and I liked the idea of visiting other places.  But I don’t recall being envious of other places, other countries.  I certainly felt envy for this guy, who had that girl, or that family who had those things, but this was all quite local.

The noble virtue that is the opposite of envy is “kindness,” which to my ears doesn’t cool things off as effectively as say temperance does to gluttony or charity does to greed.  You can ooze kindness, genuine or otherwise, and still burn with envy.

Here is a piece from the ‘Envy’ chapter of ‘7DS’:

Across the nation, bold, incessant, growth, as a constant.  Manifest environmental degradation, suspicion, cynicism, and so much hope, all as simply normal, everywhere, for two decades, running.  And this growth phase is only the latest manifestation of a revolution to accommodate modernity that stretches back to the Taiping Rebellion.   Constant, rapid adaptation, as what had been the only civilized world, was absorbed into a western, multi-state version of civilization on western terms.  Finally, after all these years of turmoil, China and the world begin to consider what a Chinese reconfiguration of “civilization” might look like in the post-modern epoch.

Certainly during my time, the prevailing attitudes of people have been stretched and pulled to accommodate this constant stress.  Not the reflexive fanaticism that angrily confronted the world, forty years ago, nor the comparatively humbled disposition that China met the world with two decades back, as it actually began to engage.  Now there is a steady waxing of confidence among Chinese, certainly outward facing, commensurate with the acquisition of wealth.  Envy no longer flows, the way it did twenty years ago.

I can remember being an awkward object of envy in China, as a naïve American in my twenties.  It was both deeply uncomfortable, and completely seductive.  One would launch into predictable explanations of all the problems endemic in the U.S.  “We’re nothing to be envious of.”  The monotonous course of that dialogue has shifted to become a whirlpool, of appropriate complexity.  Now I and everyone else are, perhaps, a bit lost.  Confronting people who are unnecessarily humble the urge is to lift them up or dispel the artifice.   Anyone dealing with an arrogant person for too long looks for a chance to pop that person’s bubble.  In ascendant China, envy is now smeared broadly between the foreign and various domestic communities.  The increasing complexity makes China feel very crowded these days, with individuals and opinions, demanding my attention. 

I’d say that there remain many things; the relative stability, prosperity, freedoms, etc. that many educated Chinese people still “envy” about say, the United States.  And of course there are many things that are repulsive about the U.S. as well.  But unlike twenty years ago, there are various, former pools of envy that have now dried up with the march of economic advancement and cultural assertiveness.  If we talk in terms of broad tectonic plates like civilizations; is it possible to imagine a world where Western civilization is envious of Chinese civilization? Certainly. And if such a thing is possible, is it a fait accompli?  Does it happen gradually, or decisively?



Envy is never pure or undiluted.  Islam didn’t simply “envy” the West, when the arc of modernity, the vanguard of scientific thought passed from the caliphate to Western Europe.  People loved themselves, their families, their traditions, and their soil.  But the infection of imperialism, meant conquered civilizations necessarily experienced some degree of “envy” for the power to project one’s will with impunity that the victors, firmly held.  No amount of “kindness” all by itself was going to cure that disempowerment.

Painting broadly, China was the civilized world and assumed that the rest of the barbarian world envied Chinese majesty for just about all of its history.  This was true for the entire progression traced yesterday from The Spring and Autumn Period all the way to the mid-Qing and Qianglong’s rule.  It was Qianlong in fact who sent the British emissary Lord McCartney packing in 1793 telling him China had no need for any of his wares. http://en.wikipedia.org/wiki/Macartney_Embassy
McCartney, for his part, was not impressed by the Chinese defense works that he noted during his mission.  The British would return before long with a rather irresistible narcotic and gun boats to ensure an orderly drug trade that would reverse the flow of specie back out of the country, back into British banks.  

And with the Opium Wars, and the Taiping Rebellion, of the mid nineteenth century, the flow of envy began to trickle and then surge out of the empire to places with navies, like Britain, or convincing self-strengthening movements like Japan, or redemptive ideology, like Moscow.  And during it all, in spite of it all, Chinese remained rightfully proud of their civilization.  But I think it would have been difficult to identify much of any envy flowing back towards Chinese civilization for much of the last hundred and fifty years.  That, I believe, is about to change. 

Returning to a place of centrality, assuming you are the envy of the neighborhood, assuming you are a paragon of civility is nothing new for Chinese civilization, regardless that no one alive has seen this flower in bloom.  It is the historical default position of for all of Chinese history, through Qianlong until shortly thereafter.  But what does the West look like when envy begins to trickle and then, perhaps surge in another civilizational direction, for the first time since the Renaissance?  I think this will be an interesting current to track.  There may well come a time when we have “no more authority” to stop the whirling of that blender.




[1] chuíxiányùdī:  to drool with desire (idiom); to envy / to hunger for

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