It happened again. I’m frustrated. I can hear his trumpet. I know his nick name and I struggle for about
eighteen seconds to recall the actual name of the 1930’s, 40's, trumpet player,
“Little Jazz.” I have written about this particular vacuum before. There is something about
his name that is forever slippery. But per my eighteen
second comment, it is not something I’m still vexing on. After a
bit of mental juggling, and quiet hand wringing I was able to clasp the name of Roy
Eldridge. I wouldn't have cared when I was younger, now it feels important not to give up.
My wife has
hosted this event where Roy is on the airwaves. It’s a lovely theatre
where not long ago I saw a fine production of Macbeth, a first for our local
community. Today, my wife has taken the
space and is profiling the artistic efforts of many, many mothers in the local
community. And she has, consciously or I suspect unconsciously pulled upon the
work of the thirties trumpet player. And the event is in motion now and I think
I’m the only one concentrating on the music.
This is clear, as someone has put the tune on repeat and it is simply
looping along, over and over again, which has now begun to annoy me.
The event though is wonderful. The ladies put on a
play. My wife plays the grumpy Shandong
husband to-a-tee. She missed her calling
as a male chauvinist. The ladies all
seem to have, one after another, a chance to shine, showing their artwork and
modeling shawls and discussing contributions to charity. Proud of my gal. She’s like the Daoist adage that says: the
best leader is the one of whom, when the work is done, people all say, we did it
ourselves.
One woman has painted gingko leaves in a lovely manner. I look closely and I see that she has reproduced the Minoan paintings of Knossos, the princess and the dolphins there, on the leaves and she is surprised that I recognize the source. She too has taken her kids there for a look and we reminisce for a while about how lovely Crete is. Her work is accomplished and she is happy to have people considering it, as anyone would.
There are no
other foreigners here. At least none
that look like me. Once I think I would
have been strongly conscious of this, though now it registers as an afterthought. What’s more noteworthy perhaps is that there
are not may men here. There is one other
husband in the audience. He’s got a
young boy in his arms and later I go to talk to him. We both agree that it is drafty and indeed, uncomfortably cold, the longer we sit here. His wife has also done a great job today as well, but she is standing across the room in a light dress and I fear she must be freezing.
Saturday, 12/08/18
No comments:
Post a Comment