Thursday, July 3, 2014

Salt With Not Much Pepper




I’ve got a ‘proceed and verify, proceed and verify’ type of cab driver this afternoon.  “Up at the next light please take a right.”  “This next one up here?” “Yes. “  “Take a right?”  “Yes, that would be great”  “Right here at this light?” “Yes siree.”  I can’t blame them.  They probably have at least one blow up a week, one blow up a day, with someone who calls them a dunderhead for not knowing that they meant to turn left at that last light, seconds after they look up from their phone. 

Hot, sultry day.   The air-nasty-quotient is high.  Well meaning groups have sent out emails reminding me that is good to keep breath to a minimum.  We had a big rain the night before last, but it didn’t have what it took to usher in some sunny clear skies.  Riding now into more and more of the urban core murk.  It may rain again, but if it does, I’ll be happy for the urban cleansing, but rather decidedly out of luck, looking for a cab in the deluge. 



John Stubblefield was clearly blessed with the world’s finest first name.  His last name is rather memorable as well, presumably harkening back to difficulties with plowing or perhaps shaving.  He’s on the big old fat headphones right now.  I took to looking him up, as he was one of the gents blowing on the fabulous Roy Brooks and the Artistic Truth album I’d mentioned yesterday.   I’ve got a thoughtful, resigned post-bop album “Prelude” from the complicated year/period for jazz and most music, back there around the bi-centennial. 

There isn’t much about the man there on his Wiki page.  I know he passed in 2005 at the age of only sixty.  I hadn’t realized he played with the World Saxophone Quartet for a few years there and a half a dozen other remarkable bop luminaries.  You’ll forgive me, my driver is verifying again.  “Yes.”  “Yes this turn.”  Yes, the same one. This one.” “This one here?”

Fortunately I found a thoughtful obituary from the The Guardian.   Born in Little Rock Arkansas, John grew up in a divided home with a father who was a fan of Big Band and a mother who thought jazz was the devil’s music.  He made it to New York in 1971 and played with Mingus until they apparently had an altercation.  Why anyone might would want escalate things with Mingus is hard to fathom.  (I've read of Jackie McLean being pushed so, he pulled a knife on Mingus and of the big man from LA threatening Miles that he'd play his solos backwards in his face if he wasn't careful.) But apparently Stubblefield and Mingus made up and later he was a key member in the tributary Mingus Big Band.  I especially loved the story that later, when infirm he and that other saxophone player from Little Rock, Bill Clinton apparently sat for an hour one time and spent their time talking about the instrument.. 

I’m at San Yuan Qiao now.  They are mid way through an extreme make over of the ridiculous looking China Travel Service building, which used to have little Lego like triangles all the way up the outside which looked foolish the day it was unveiled from which the appearance diminished considerably, year after year.  My favorite tree in Beijing is off to the right.  It is the big full set of twin Jacaranda trees that sport such amazing purple flowers in the spring.  I wonder if I can get one of those to grow through the New York winter?  Traffic on the ring roads abysmal, as one might expect.  Soon after though, things pick up.  Only ten minutes late to my coiffing appointment. 



Hair’s done.  The price of haircuts has gone up from what it was last year and has appreciated more dramatically than local real estate from the good old days when first in Shanghai.  I remember going to one of the beautiful old Deco hotels in the French Quarter that had a barber shop in a tight little space with all these faux gothic slits and tall thin windows and a perfectly reasonable gent would get on with it for three or four kuai as I recall.  Every time now the proportion of salt to pepper lying on the floor tilts decidedly brineward; snow-white mounds with a twist or two from the pepper mill to show for.  At least it all largely continues to grow and  皓首苍颜[1] is still at bay.

Another one of these dumb days when it is about-to-rain, all day long.  It drizzles.  People panic and start fumbling for umbrellas, talking about cabs, and then it stops.  The air is sopping wet with expectancy.  But nothing is happening.  Everyone will have to keep waiting today. 




[1] hàoshǒucāngyán:  white hair and gray sunken cheeks (idiom); decrepit old age

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