I’m sitting here in the back of a cab in
Shanghai. Before me is an ad. I have seen this ad before. There is a young guy. I guess he is “attractive.” He doesn’t have a shirt on. His body is reasonably fit with some abs and
no body fat on display. Our friend is
cutting vegetables. While he does so, he
looks coyly up at the camera. Perhaps
the ad has a textual subtlety that justifies this rakish look. More likely he is simply promoting the
importance of spinach and mushrooms which are in not only being cut before him
but are arranged in bowls of to the side.
Deep inside Pudong Airport
now. It’s not an insignificant schlep to
get your ass out to boarding gate eighty-five here at terminal two. The plane is . . . delayed. The plane is, already here, which is a great
thing. It could be that we leave in ten
minutes. The likelihood we’ll leave at
all is greatly increased with possession of the plane here on this tarmac. I’m at a restaurant. I looked at the marketing materials and there
was no mention of the name of the restaurant.
One would imagine that marketing materials would want to profile such things. Presumably there is a nice big name of the
place profiled outside. But before I
could get up to look I asked the waitress and she told me: “Huh? Oh. “Ya
pin.” I see. This could mean many things. There on the marketing, in rather modest
profiling I can see there is a character before the next three that anyone
could recognize as “pin” restaurant.
OK. I’m having roasted
goose. Perhaps the “ya” is for a
duck? I just checked. It isn’t that 'ya.' I tried to take a photo. It’s too small. I’ll return home and check with my older
one. She’ll laugh at me and say no one could
read that sign dad. Perhaps there will
be a big, fat name of the restaurant that I‘ll be able to positively
photograph outside. Perhaps I’ll even
know what it says myself.
One lady pointed to the
space across from me. There is not chair
and it is empty. Another woman
acknowledge that it was indeed empty.
She then stood up and took her airport push cart and moved it directly
in front of me. She then took her
seat. At no point did she bother to look
at me and secure basic acknowledgement that she had just significantly invaded
my space. I looked for a while. I may as well have been a potted plant. I know. I’ll photograph the cart. That
will signal to her that I must think this is a bit of an invasion. I photographed it from below and from
above. I made photography motions that
were exaggerated. I really wanted her to
look at me and cognate that I was aware of her luggage in my foot space. But she kept eating her noodles, oblivious to
anything I might do.
I have a good view of the
gate eighty-five holding pen across the way.
No one has moved. If I crane my
neck I can see the physical gate itself.
No one is doing much of anything there.
I’ve ordered another Asahi beer.
A week from tonight I’ll probably be there having one in Tokyo. The cart has been pushed by one two three
people who’ve moved through and found it to be blocking their way. I keep imagining explaining myself in Chinese
that it isn’t my cart! But no one cares
about the fact that this cart is in my space but isn’t mine. It’s irrelevant. Just like it will be when she takes it and
leaves. And . . . there she goes.
Thursday, 08/24/17
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