Reading the paper. It isn’t paper. It’s the New York Times website. Taking more time that I otherwise might. Sure.
I’ll read that. During a weekday
I might have skipped it. I’ll look down
here at this section to notice something that was only posted up on the site a
few minutes back: Randy Weston has passed
away.
I remember when I
didn’t know that name. I was invited to
a concert at the Other Minds festival in Yerba Buena park in San Francisco to
see Randy Weston, the jazz pianist and his orchestra. And I can remember him introducing the song
“African Cookbook” and being dazzled by the full, spacious sound that rose and
fell over and over.
Born in Brooklyn,
the son of a restauranteur, he was in the scene from an early age and not only
became enamoured with Monk, he became chums and apparently drove Thelonious to
gigs. And I suppose many young people
hung out with Monk but I don’t suppose very many of them learned piano
improvisation, the way Randy Weston did.
How fortuitous for him and for everyone that they became
acquainted.
After serving in
World War II he was part of a state sponsored tour of jazz, which brought him
to Africa. (Would that there were more
state sponsored tours of jazz, today.)
And unlike all the jazz guys to moved to Paris or moved to Copenhagen, Randy Weston decided to resettle in Tangiers and travel throughout West
Africa. It was his father, a Panamanian
immigrant, the obit suggested, that oriented him towards the importance of
African history. And it helped to ground
him and convince him of the obvious which at the time must have been so much
harder to defend: that jazz is
fundamentally African music.
“Blue Moses” then,
now. Loud. Randy Weston’s music will fill the air today
and for the day after that. There is
quite a bit of wonderful music to re-explore, offering up our thanks, as his
ninety-two year old spirt makes its way off.
Sunday, 9/2/18
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