Everyone is asleep.
I am up early, of course. The
sun’s been up for a while, so I assume it is five as it would be back home this
time of year. But it is nearly
seven. The time zones are playing tricks
on me. Suddenly I feel as though the
whole morning has gotten away from me.
Outside on the street below, I hear Chinese again. We have encountered many Chinese and many
Koreans of both northern and southern persuasion and heard plenty of Japanese
spoken as well.
I want to have some
coffee. We bought groceries last night
but no coffee. I look over the city map
and consider a path down to the town square.
The museum won’t be open now, but at least I’ll know where it is for
when we head out ensemble. Before I depart my stepson indicates he needs a Band-Aid. I promise to look for one.
The city is dormant at
7:30AM on a Saturday morning. It strikes
me again, that this “feels” more like “home” than China even though it is
utterly exotic and I have no ability to communicate. There are lights, suggesting food, suggesting
beverages, but all of these places are closed.
It feels deflating, this lack of industriousness. The twenty-four hour“Korean” markets of Manhattan should be
part of this landscape as well.
Through an underpass,
there are stores selling shoes, and trinkets and ladies lingerie and a few that
suggest they have coffee. But they are
all closed. A pharmacy is open. I’ll get
the Band-Aids. A man in smart suit and a
sour face says: “Ten O'Clock”. Further
up the road I find another pharmacy.
This one is open. I fuddle with
my translation app for what feels like interminable minutes and finally show
her the word for 'band aid.' She answers
in plausible English: “Do you want big
or small.” I get both and some aspirin
as well. On my way out I turn back and
pinch an imaginary coffee cup an raise it to my lips, asking the pharmacy
women, with my eyebrows inflected: “Coffee?
Coffee?” “Ten O'Clock” she
replies. “Ten O'Clock.”
I continue, passed statues
of war heroes and nineteenth century building facades. There is a statue of and a sign for Elizabeth
Pays which doesn’t sound very Russian. Later
at the museum I learn that she was an American who lived here for some
thirty-five years, during the late nineteenth century. The further I go along my way, the closer I
come to the remarkable suspension bridge that looms up ahead. Beneath the bridge there is a flame burning
to martyrs of sea faring from what I can discern. I settle in with the river at my back and
read ten pages of “Dead Souls” as my plans read in a café are delayed it seems
until Ten O’Clock.
Saturday 6/23/18
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